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JSB for Johann Sebastian Bach it indicates the date of that person's involvement with the composition as composer, scribe or publisher. Name of the composition: if the composition is known by a German incipit , that German name is preceded by the composition type e. See scoring table below for the abbreviations used in this column.

After the colon an Arabic numeral indicates the page number where the score of the composition begins, while a Roman numeral indicates a description of the composition in the Vorwort Preface of the volume. A page number, after a colon, refers to the "Score" part of the volume. Without such page number, the composition is only described in the "Critical Commentary" part of the volume.

The volumes group Bach's compositions by genre: [43] Cantatas Vol. Christoph , wife A. Christian or son-in-law Altnickol. Cantata Christ lag in Todes Banden Easter. Cantata Christ lag in Todes Banden Easter; early version, lost.

Cantata Liebster Gott, wenn werd ich sterben? Cantata Meine Seel erhebt den Herren a. German Magnificat Visitation. Cantata Es erhub sich ein Streit Michaelmas. Cantata Gottlob! Motet Sei Lob und Preis mit Ehren. Cantata Wir danken dir, Gott, wir danken dir council election.

Cantata Der Himmel lacht! Die Erde jubilieret Leipzig version: Easter. Die Erde jubilieret Weimar version: Easter. Cantata O ewiges Feuer, o Ursprung der Liebe wedding; incomplete. Cantata Am Abend aber desselbigen Sabbats Quasimodogeniti. Cantata Sie werden euch in den Bann tun Exaudi. Cantata Nun ist das Heil und die Kraft single movement; arrangement or fragment of a cantata for Michaelmas? Cantata Wer mich liebet, der wird mein Wort halten Pentecost.

Cantata Sie werden aus Saba alle kommen Epiphany. Cantata Lobe den Herrn, meine Seele council election. Cantata Wachet! Bach 's addition. Cantata Alles, was von Gott geboren Oculi; music lost. Notebook A. Bach No. Cantata Erfreute Zeit im neuen Bunde Purification. Cantata Ich bin ein guter Hirt Misericordias Domini.

Cantata Wahrlich, wahrlich, ich sage euch Rogate. Cantata Bisher habt ihr nichts gebeten in meinem Namen Rogate. Cantata Was soll ich aus dir machen, Ephraim? Cantata Gelobet seist du, Jesu Christ Christmas; later version. Cantata Gelobet seist du, Jesu Christ Christmas; early version. Cantata Was Gott tut, das ist wohlgetan.

Cantata Ihr werdet weinen und heulen Jubilate, 2 versions. Cantata Gottes Zeit ist die allerbeste Zeit funeral; aka Actus tragicus. Cantata Unser Mund sei voll Lachens Christmas.

Cantata Der Herr ist mein getreuer Hirt Misericordias. Cantata Preise, Jerusalem, den Herrn council election. Cantata Gott, man lobet dich in der Stille council election. Cantata Herr Gott, Beherrscher aller Dinge wedding; incomplete. Cantata Gott, man lobet dich in der Stille th anniversary of the Augsb. Cantata Mit Fried und Freud ich fahr dahin Purification. Cantata Erhalt uns, Herr, bei deinem Wort Sexagesimae.

Cantata Auf Christi Himmelfahrt allein Ascension. The first line is taken from James , the crown mentioned is in Greek "stephanos". Bach first performed the cantata on 26 December The setting for the cantata in seven movements is intimate: soprano and bass soloists, two oboes , oboe da caccia , two violins , viola , and continuo.

The Anima is sung by the soprano, the bass is the vox Christi , the voice of Jesus. A four-part choir is only needed for the closing chorale, if at all. The oboes play only in the first and last movement, doubling the strings. The music for the dialogue of Jesus and the Soul is more dramatic than in other church cantatas by Bach.

Scholars have narrowed it down to four likely occasions, probably between and , but the text by an unknown poet tells us that it was certainly for the wedding of an influential supporter of music and the arts. Written out in elaborate calligraphy, the parts were likely presented as a gift to the couple, the words speaking of marital love, and the role music plays within it.

The recitatives which precede each aria are lengthy, almost like mini sermons, and describe in detail the esteem to which the patron holds music and its effect upon us all. Both flute and oboe have solo movements, and only in the final recitative and aria does the ensemble play all together. This bright finale features trills which suggest banners snapping in the breeze and vocal coloratura sparkling like celebratory fireworks!

I am grateful to Armonico Consort for sharing their excitement and belief in this venture with me. Our 21st century approach to production through an online crowdfunding campaign has brought us into contact with so many supporters and friends we might not otherwise have reached.

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Great item, excellent price, fast delivery. Like Johannes Climacus on amazon. However, I can comment on its aesthetic value. Here, I confess, I am totally biased; I learned to love the cantatas via Werner and his recordings, first released in Australia by the World Record Club - I have a whole stack of vinyl.

Werner was recording as the whole idea of Bach performance was changing. There was already a move away from "operatic" voices of a type that Bach would not have known, and towards smaller ensembles. It wasn't HIP Werner uses modern instruments , but it was on the way. And, to my ears, the Werner recordings, while occasionally lacking the virtuosity of later recordings, have a charm all of their own.

Soprano Gillian Keith joins the acclaimed Armonico Consort for the first in a three-part series featuring the solo cantatas of Johann Sebastian Bach. Reviews 'Profoundly incisive and intelligent singing the jewel in the crown here is the late and woefully under-appreciated wedding cantata, O holder Tag ' .

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  1. J.S. Bach* - Chorale Heinrich Schütz de Heilbronn*, Das Südwestdeutsches Kammerorchester*, Orchestre de Chambre de Pforzheim*, Fritz Werner ‎– Cantatas BWV 8, 26, 61 & Label: Warner Classics ‎– 2.
  2. 2: Les Grandes Cantates de J.S. Bach Vol. 10 The Great Cantatas of J.S. Bach: Cantata No. 26, Cantata No. , Cantata No. 61 J.S. Bach: Cantatas BWV 8, 26, 43,
  3. Bach Cantatas Vol. 8: Bremen / Santiago For the 15 th Sunday after Trinity For the 16 th Sunday after Trinity: 1. 2. Cantata BWV 8 [] John Eliot Gardiner: Monteverdi Choir / English Baroque Soloists: Soprano: Katharine Fuge; Counter-tenor: Robin Tyson; Tenor: Mark Padmore; Bass: Thomas Guthrie MC: Sopranos: Donna Deam, Katharine Fuge, Elin Manahan Thomas, Belinda Yates, .
  4. Discover releases, reviews, track listings, recommendations, and more about J.-S. Bach* - Friederike Sailer, Claudia Hellmann, Helmut Krebs, Jakob Stämpfli*, Erich Wenk, Chorale Heinrich Schütz De Heilbronn*, Orchestre De Chambre De Pforzheim* direction Fritz Werner - Les Grandes Cantates De J.-S. Bach (Cantate BWV 26 / Cantate BWV / Cantate BWV 61) at Discogs/5(5).
  5. BACH, J.S.: Soprano Cantatas, BWV , and by Johann Sebastian Bach. Listen to classical music CDs online.
  6. BACH, J.S.: Cantatas for Solo Soprano, BWV 51, 52, 84, (Thornhill, Cologne Chamber Orchestra, Muller-Bruhl) Among J.S. Bach’s or so surviving church cantatas, these four for solo soprano include the popular Jauchzet Gott in allen Landen!, in which singer and solo trumpet engage in thrilling displays of reubloomandelconsde.barcountfitmaduseshoyracalromarda.co the other cantatas, Bach provides equally beautiful obbligato parts.
  7. Les Grandes Cantates de J.S. Bach Vol. 10 The Great Cantatas of J.S. Bach: Cantata No. 26, Cantata No. , Cantata No. Cantatas BWV 26 [], BWV [], BWV 61 [] Fritz Werner: Heinrich-Schütz-Chor Heilbronn / Pforzheim Chamber Orchestra.
  8. Jan 30,  · CD Cantatas BWV 61, BWV 85, BWV , BWV [] Fritz Werner Heinrich Schütz-Chor Heilbronn / Pforzheim Chamber Orchestra, Württembergisches Kammerorchester Heilbronn, South-West German Chamber Orchestra.

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