Beowulf also resembles modern heroes. He has few character flaws, but his biggest and fatal flaw is his hubris. The extreme self-pride and arrogance led him to fight monsters with his bare hands and even take on a dragon in his old age, when he was no longer able to win such battles.
This flaw doesn't diminish Beowulf's status as an epic hero. In fact, it helps emphasize it. To unlock this lesson you must be a Study. Create your account. Already a member?
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Through this partnership, Beowulf and KStarLive will co-develop an online platform to help connect Korean stars with their fans on mobile phones and desktop computers with the state-of-the-art online communication solution QUICKOM. This innovative communication toolkit can operate at a massive capacity of up to 5, users simultaneously, supporting seamless two-way interaction, faster connections, high-quality videos, and authentic sound.
Beowulf himself seems more altruistic than other Germanic heroes or the ancient Greek heroes of the Iliad. It is significant that his three battles are not against men, which would entail the retaliation of the blood feud , but against evil monsters, enemies of the whole community and of civilization itself. Many critics have seen the poem as a Christian allegory , with Beowulf the champion of goodness and light against the forces of evil and darkness.
That is not to say that Beowulf is an optimistic poem. The English critic J. Tolkien suggests that its total effect is more like a long, lyrical elegy than an epic. Even the earlier, happier section in Denmark is filled with ominous allusions that were well understood by contemporary audiences. Beowulf has often been translated into modern English; renderings by Seamus Heaney and Tolkien completed ; published became best sellers. Article Media.
Info Print Cite. But aside from a couple of patriotic speeches, Beowulf makes no attempt to approach or engage with either the themes of the story or its reputation. What the film attempts instead is to use the story of Beowulf as a starting point for its own ideas about the fantasy genre.
Some of its ideas attempt to rework the story, others are more abstract and unrelated to the source, in a manner which is both frustrating and tantalising. The main reworking concerns the relationship between Hrothgar, Beowulf and Grendel's mother,. The Biblical interpretation, which sees Grendel and his mother as the cursed offspring of Cain, is replaced by a Freudian one, in which the human protagonists are part of a cyclical Oedipal struggle rooted in the desire to control humanity. The idea of human warriors making forbidden, sexual pacts with supernatural beings to ensure peace is in and of itself very interesting.
On the one hand, it gives Grendel some form of motivation, making him the consequence of something rather than just another monster. He becomes very much a body horror character, like the strange creatures in David Cronenberg's The Brood or Andrzej Zulawski's Possession.
On the other hand, this idea draws comparisons with Faust and H. Lovecraft; it characterises humans as being at the mercy of ancient demons, who either give them what they desire only to betray them, or who simply allow them to live in fear until the time is right to wreak destruction. There is also a fleeting exploration of the process by which legends and reputations come about. When he first arrives at court, Beowulf is questioned by Unferth John Malkovich with a silly accent about the monsters he has killed.
Beowulf spins a yarn about fighting sea monsters and swimming across oceans, with his men remarking sotto voce about him changing certain details. The film never goes into any great depth with this idea, but it's appropriate to raise it in some form, considering the contentious origins of Beowulf itself.
But for all the interesting implications present in these ideas, they are ultimately drowned out by the insistence on big, dumb spectacle. Even in the quieter scenes, Zemeckis is determined to keep things barrelling along, regularly cutting when it is unnecessary or composing his shots just so he can show off the technology.
The film is obsessed with throwing stuff at the screen as opposed to building up character or mood, and eventually we just give up and let it all wash over us in total bemusement.
There are any number of moments in Beowulf which will make you scratch your head in disbelief. Beowulf himself looks the part, with the body of Adonis and a full head of hair - but the second that Ray Winstone speaks, the whole film jumps the shark and the only sane response is to snigger. Angelina Jolie plays the sexualised Grendel's mother as well as you'd expect - but that doesn't explain why a shape-shifting lizard should have feet resembling stiletto heels.
And then there's Beowulf's fight scene with Grendel, featuring the former fighting in the nude. While naked combat may have existed in days of yore, the whole fight is structured like an Austin Powers gag, with numerous bawdy coverings for Beowulf's crotch. This brings us on to the flesh-ripping violence in the film. Some of this was to be expected, since stories about warriors and dragons are not known for their restraint.
But while we can forgive or overlook the bawdy elements, the violence itself is disturbingly full-on. The BBFC gave the film a 12 certificate, arguing that since the deaths were animated it constituted fantasy violence. But the realistic motion capture means that the animated gore is just as gross and graphic as it would be in a normal horror movie. Grendel is so grotesque and sinewy that he could have wandered out of Hellraiser, and the film lingers on the blood and detail more than enough to warrant a 15 instead.
Beowulf is a hugely disappointing miss from Zemeckis, reflecting his creative decline and epitomising Hollywood's trend towards empty spectacle over engrossing storytelling.
It's not a total failure, with a number of interesting if irrelevant ideas and enough in-your-face action to please fans of mindless escapism. But ultimately its liberties with the story and technical shortcomings brings the whole thing down, reducing an intriguing and important legend into Shrek fighting Frank from Hellraiser, on a rollercoaster, minus his trousers.
Daniel M Super Reviewer. Aug 06, Loosely based on an Old English poem, Geatish warrior Beowulf comes to the aid of King Hrothgar to free his land from the demon creature Grendel. Unfortunately, the animation style gives the film a surrealness that doesn't look or move quite right. But, it allows for some amazing action sequences that are especially impressive.
And Alan Silvestri crafts an incredible score that's epic, and it adds a lot of energy and charisma to the film. Beowulf has a few issues, but it still delivers a fun and entertaining adventure. Dann M Super Reviewer. See all Audience reviews. King Hrothgar: She's not my curse Beowulf: If we die Beowulf: I am Ripper I am the Teeth in the Darkness, the Talons in the Night.
Mine is Strength Grendel's Mother: Are you the one they call Beowulf? The Bee-Wolf. The bear. Such a strong man you are with the strength of a king. The king you will one day become. View All Quotes. Video Game Movies Ranked. For example, Snorri Sturluson wrote:. Onela rode Raven, as they rode to the ice, but a second one, a grey one, hastened, wounded by spears, eastwards under Eadgils. Then king Eadgils took from him his helmet Battle-boar and his horse Raven. Although, in Snorri's text the names are in their corresponding Old Norse forms.
Beowulf ruled the Geats for 50 years, until his realm was terrorized by a fire-breathing dragon after a thief stole a golden cup from its hoard of treasure. Beowulf's sword broke; but he dealt the dragon its death-blow with his dagger. He had been mortally wounded by the dragon's poisonous bite. Dying, he was carried out by Wiglaf, and with his last breaths named Wiglaf his rightful heir. His body was burned on a funeral pyre, and his ashes buried in a barrow by the sea.
The last three lines of the poem are, in Seamus Heaney 's translation:. They [the Geats] said that of all the kings upon the earth, he was the man most gracious and fair-minded, kindest to his people and keenest to win fame. The statement is clear, except for the final word, lof-geornest 'keenest to seek fame' , which is two-edged.Nov 14, · Beowulf: Epic Hero. Beowulf, Prince of the Geats, has many fine reubloomandelconsde.barcountfitmaduseshoyracalromarda.co the title character of the Old English epic Beowulf, he's a classic epic reubloomandelconsde.barcountfitmaduseshoyracalromarda.co epic is a .