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Last edited: Jan 7, MLutthans , Dec 10, No equalization was used during the duplication process. The original cassette master was then transferred, using state of the art equipment, onto high bias BASF Chromium Dioxide tapes for maximum frequency response and minimal background noise. According to Gregg Schnitzer of MFSL, "It was very close in master prep to what the vinyl sounded like with one significant difference.

Want some cool trivia? I'd get these random ticks and pops which we affectionately called zits. So I called my wife to tell her I'd be working until sunup as the approval copy had to go to Alan Parsons via counter-to-counter air as soon as possible. I turned the lights off so I wouldn't be distracted and sat there all night long with the first DAE editor and made a few hundred one-millisecond edits to get rid of those zits I was hearing. Then I made an approval copy cassette for Alan, sent it on its way, and went home to sleep for a day or two.

Machines differ, set-ups differ. However, these figures give you a point to work down or up from. You probably knew a lot of this, but I made it simplified for a baseline understanding for all. I hope this madee sense, and i welcome critiqye and added information. I also typed this while wrangling my 4 year old granddaughter, so I hope this makes sense as I had to leave many times.

Feel free to contact me, maybe I can send some email attachments your way. Hey guys I looked in the Machinery's Handbook at the tables you guys mentioned and found all the information there as described I can't believe I never thought to look in there for any of these answers, but after blowing the dust off the book and thumbing through the pages, I came to the realization that I honestly didn't think it had anything to do with CNC machining in it.

I also found a site through a search on Google called "CNC Concepts" which has this program called "ME Consultant PRO" made by Michael Rainey, whom I found out after doing a search in this forum for any feedback on the product is a member of this forum and all the feedback regarding his product was good, therefore, I think it may be just the ticket for me to aid my success in becoming CNC proficient.

Do you guys agree? Not looking to fault Mr. Rainey's product, just trying to shorten my learning curve if possible. Hey Tumble Boy I did not know there where so many different ways to get to the same place. My way to find the RPM is Just my two cents. The other posts give correct information.

There are just too many variables for an absolute value. Tool coatings alone have sometimes doubled the possible SFM. Leave your review! Play jigsaw puzzles for free! Rating: 4. Standard Format Markers that have the SFM file extension might be able to be saved to another format through the same program that can open the file. Any program that supports exporting or converting a file to a different format probably has the option to do so somewhere in the File menu, or maybe through a Convert or Export option.

Source Filmmaker files can be tricky to understand. Stockhausen in particular became known for his tape collages of ambient sounds and other music.

American experimental composer John Cage also dabbled in tape music. Eventually, composers like Steve Reich, who worked at the center, figured out how to translate his strange tape compositions into live performances.

When high-fidelity cassettes and less-massive recorders hit the consumer market in the s, creative types on a budget also attempted similar experiments at home.

Cassette-tape technology was upending the power structures that once controlled ideas: The power of recording and distributing music now belonged to the people, not just industry executives trying to churn out hits. A cassette starts to lose its ability to capture the super high frequencies after around 12K. The equivalent of that is when you put a blanket over a speaker. A lot of early hip-hop took to tape in a nice way: the drum beats just sounded really good when they were smashed on cassette.

Before cassette tapes, the barriers to making and distributing an album were extraordinarily high. Listen at HalTapes. Cassettes would be the way for punk artists to go. Instead of corporate music, you had very unique viewpoints of not just music, but reality. Today, a superficial measure of success might mean having your MP3 single featured on a well-trafficked blog—when listeners might not even pay attention or engage with the rest of your album.

I felt like it was music that needed to define the parameters of its own success. Cassettes allow our output to have a handmade quality because we are dubbing everything. Tapes on display at a recent Burger Records pop-up shop in Tokyo, Japan. Their scrappy little company ended up leading the charge in the current cassette-tape trend. We need, like, 5 grand to put out a vinyl album. For a cassette, we can just take change and recycle cans and get a hundred couple bucks together.

After a couple of years, the tapes started paying for themselves. Eight years later, Burger Records, located in Fullerton, California, has put out more than vinyl albums and around cassettes, as well as numerous CDs and VHS tapes, making it one of the fastest growing independent music labels in the world.

In fact, Burger often offers the same albums in four formats—cassette, vinyl, CD, and computer download.

Making tapes for bands that are on other labels is just really good PR sense for them to have another stream of influence coming for a younger generation.

Home-taping pioneer R. Stevie Moore , whose dad, Bob Moore, played with Elvis and Roy Orbison, began recording and mailing out tapes from his Nashville home in Around the same time, German krautrock band Faust started offering bootleg tapes only through mail, and San Francisco music and performance art group the Residents was selling cassettes to their member fan club by post.

Bands inside the Iron Curtain, like Plastic People of the Universe, employed easily concealed tapes to spread their anti-conformist anti-Communist message. Listen at Cassette Art Classics. Each review would include a postal address so tapers could write to each other to buy or trade cassettes. Sure, an artist can make several copies of a cassette, but every copy is slightly different than another.

And those people sent their tapes back to us, so there was a give-and-take of creative ideas. It was really exciting. Quickly, Ingels was overwhelmed with cassette submissions, and the column expanded to take up pages and pages.

Campau would circle the reviews of tapes he was excited about, while Margolis would mark them with checks or crosses. To be honest, it was a lot more fun getting letters and packages in the mail than opening emails. Oh, that sounds really cool. In fact, Al Margolis started his cassette label, Sound of Pig , in in order to get more cassettes. We started recording our music, and then I started recording some of my own stuff. But there was so much stuff I wanted to hear. Dozens of homegrown cassette labels sprang up all over the U.

McGee says that low overhead costs have always been a part of the magic of cassettes. Tapes even allowed high school bands and church choirs to record and distribute their performances locally—something those communities could never do before.

Back then, we were recording stuff on one of those Panasonic mono shoebox recorders that people were using for lectures. A few months ago, Debbie sent me 54 cassettes of original recordings that we had made in our crappy little apartment that we later chose for actual releases on the Cause and Effect label.

Before that, about the only thing that we had were vinyl records, and very few people I knew could afford to get a record pressed. But so much of the tape music scene has been about repurposing or reimagining the uses of consumer audio products. Via the Living Archive of Underground Music. In our first catalog, we distributed more than a hundred cassettes of experimental music from all over the world.

Within a year or so, it turned into a label where we asked specific artists to do cassette releases for us.

Mar 24,  · There's really no need, and probably not even a means, to open them from the device itself. The 6 Best Samsung Phones of However, if you connect the device to a computer, you may be able to copy the file out of the \Application\Smemo\cache\ or \Application\Smemo\switcher\ folder and then open it with a free text editor.

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  1. This browser is not supported. To get the best experience using reubloomandelconsde.barcountfitmaduseshoyracalromarda.co site we recommend using a supported web browser(s): Chrome, Firefox.
  2. Maxell Optimally Designed Flat Packs with Low Noise Surface 90 Min Recording Time Per Cassette out of 5 stars $ Maxell UR Minute Normal Bias Audio Tape out of 5 stars $ Coby CVR Portable Cassette Recorder out /5(9).
  3. May 24,  · And in San Francisco, hipsters and anarchists are bubbling to the surface once again. Howard K. Smith brings a CBS News crew to North Beach as part of a radio program called The Hidden Revolution to get to the bottom of this crazy beat thing.
  4. The store stocks many independent cassette releases, but, Horrocks says, "People buying cassettes are too young to remember why we got burned out on cassette labels in the first place." He predicts that "in 10 years, releasing a CD will be the cool thing," and worries that the format's novelty eclipses the importance of the reubloomandelconsde.barcountfitmaduseshoyracalromarda.co: Sam Lefebvre.
  5. Not even sure if it was cassette or cd. While we're talking SFSM prepare for a vinyl reissue of Word Of Mouth released by Chaz by the end of the year also. And while we're talking vinyl reissue, hope everybody got his copy of The Nonce' "" or more surprisingly the picture disc reissue of Living Legends' Almost Famous.
  6. Frank Black Francis. Frank Black may be the godfather of quirk rock, but everyone would agree that much of the luster has been lacking since the Pixies originally disbanded, which is why Frank Black Francis comes as such a pleasant surprise. The record consists of two discs, the first of which contains cassette Walkman recordings of early Pixies songs, with only Black on an acoustic guitar.
  7. According to a “San Francisco Weekly” article, the label Beach House Tapes issues works by musicians whose “sole endeavor is exploring the decay of magnetic tape.” The newspaper writes that many of Beach House’s noise and experimental releases explore what label co-founder Collin McKelvey “calls the ‘phenomenon of an object.
  8. Time is by far the most important resource when it comes to learing SFM, and if you're not able to dedicate a crapton of time to SFM, you'll never get anything done. How do I extend a shot? #8. The Dictator. Oct 31, @ am Got it, thanks guys! #9. R Oct 31, @ am.

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